randian | 燃点

In Wim Wender’s film “Until the End of the World”, a scene depicts several characters in an underground laboratory carrying out a series of experiments on superhuman technology. >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

曹雨的作品极简、观念，且蓄意挑衅，这是她对材料的物性进行考量之后的发挥，从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质，包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多

(English) Galerie Urs Meile is delighted to announce the first solo exhibition of the artist Marion Baruch (*1929 Timişoara, Romania, lives and works in Gallarate, Italy) at the Lucerne gallery. >> 更多

(English) Michael Werner Gallery, New York is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 21 February. This exhibition of paintings is a visual history of one of the most important artists to emerge from post-war Germany and spans four decades of the artist's career from 1974 to 2007. >> 更多

(English) Michael Werner Gallery, London is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 16 November. >> 更多

(English) Michael Werner Gallery, London is pleased to present Jörg Immendorff: Questions from a Painter Who Reads, opening 16 November. This exhibition of paintings is a visual history of one of the most important artists to emerge from post-war Germany and spans four decades of the artist's career from 1974 to 2007. >> 更多

本次双年展并不关注后苏联时期的变革（这是1989年后许多展览所关注的主题），转而探索现今我们所经历的多方面的变革。尽管这必不可免要涉及波罗的海附近国家的后苏联时期，但它只是更广泛叙事整体中的一部分而已。 >> 更多

(English) Monumental. Immersive. Phallic. Over the past three years Ramesh Nithiyendran’s work has become synonymous with these encompassing descriptors. >> 更多

2017年6月2日，第四届国际艺术评论奖（IAAC）新闻发布会在上海民生现代美术馆举办，并宣布了今年国际艺术评论奖的新赛规、奖金制度和国际评审团构成。 >> 更多